Fujifilm GFX100 Análisis | 108 Datos comparados

The Fujifilm GFX 100 sets a milestone by delivering 102MP medium-format resolution in a stabilized, handheld-friendly mirrorless body. Key strengths include exceptional image quality, effective 5-axis IBIS, a highly capable hybrid autofocus system, and impressive 4K/10-bit video functionality. However, the $10,000 camera suffers from poor ergonomics, featuring a slippery portrait grip and challenging control layout. Additionally, the sensor can produce banding artifacts under heavy editing, and the autofocus, while advanced, lacks the speed necessary for fast-action sports.

The Fujifilm GFX100 is an outstanding 102MP medium format mirrorless camera that shatters traditional expectations by delivering full-frame responsiveness and speed in a rugged, all-weather build. Its headline features include a class-leading hybrid phase and contrast detection autofocus system that excels at tracking moving subjects, and a highly effective 5-axis in-body image stabilization (IBIS) system that minimizes handheld blur. Additional pros highlighting its professional appeal include a large, ultra-crisp 5.76-million-dot removable electronic viewfinder (EVF), a versatile dual-axis tilting touch LCD, dual SDXC memory card slots, and high-quality 4K video capabilities utilizing the entire frame width. Despite its class-defining performance, the camera has notable ergonomic and technical limitations. The built-in vertical shooting grip is uncomfortably narrow and lacks a leatherette wrap, while the primary physical control buttons feel slightly small and mushy for a camera at this price point. Other prominent cons include massive file sizes that quickly exhaust storage, a power-hungry dual-battery system, bulky native lenses, and a slow 1/125-second flash sync speed that complicates fast strobe work. Furthermore, the EVF physical layout can block the rear tilt screen, and...

The Fujifilm GFX 100 features a massive 102-megapixel medium format sensor that delivers unparalleled image resolution, extensive dynamic range, and highly resilient 14-bit or 16-bit raw files capable of significant exposure adjustments. Designed for high-end studio and landscape professionals, the camera uniquely incorporates an effective in-body image stabilization (IBIS) system to handle the massive sensor and offers a robust, 76-point weather-sealed magnesium alloy body. It also boasts a highly detailed, removable 5.8-million-dot electronic viewfinder (EVF) and dual SD card slots. Furthermore, its phase-detection autofocus outperforms typical medium format systems, making it surprisingly usable for event shooting. However, the camera suffers from poor ergonomics, featuring a boxy design with cluttered, unoptimized button placements that feel too small for its substantial three-pound weight. Performance-wise, the autofocus tends to "double-clutch" and hunt during low-light studio tracking or fast-moving action, and the Eye AF system lacks precise accuracy. Additional drawbacks include a slow buffer clear time that can take nearly a minute, internal 4K video rendering that relies on line-skipping rather than downsampling, and a steep $10,000 price tag. Ultimately, while it produces exceptional...

The Fujifilm GFX100 is a groundbreaking 102-megapixel digital medium-format camera that significantly pushes the boundaries of its class, offering high-end features previously restricted to much pricier systems. Powered by the X Processor 4, it introduces exceptional resolving power, 16-bit RAW/TIFF support, and a highly intuitive control design that eliminates traditional shutter speed and ISO dials in favor of a clean, e-ink top screen and standard vertical grip. It represents a massive leap forward from the older GFX50 series, incorporating professional-tier firmware menus and weather sealing with 95 points of protection to ensure high robustness for working professionals. Its distinct pros include being the world's first interchangeable lens medium-format camera with a highly competent 5-axis In-Body Image Stabilization (IBIS) offering up to 5.5 stops, allowing for crisp handheld shooting at low shutter speeds. It also pioneers a hybrid autofocus system with 100% phase-detection frame coverage—offering a 50% speed improvement and better eye tracking—and stands out for its uncropped 4K video recording up to 400Mbps featuring the Eterna film simulation. On the downside, the cons include massive file sizes—around 40MB for JPEGs...

The Fujifilm GFX100 marks a monumental shift in medium-format photography by packing a breathtaking 102MP backlit CMOS sensor into a modern, DSLR-style body. A major pro of this camera is its game-changing 5-axis In-Body Image Stabilisation (IBIS), which provides up to a 5-stop improvement, enabling tack-sharp handheld photography even at slow shutter speeds like 1/8th of a second. Additionally, the inclusion of Phase Detection Autofocus (PDAF) with full-sensor coverage drastically enhances focusing speed, turning what is traditionally a slow format into a responsive tool fast enough for sports and street photography. Users will also appreciate the high-quality pro-grade 4K/30p video capabilities and a stellar 5.7MP detachable electronic viewfinder (EVF). However, these groundbreaking capabilities introduce a few notable cons. The most immediate physical drawback is the sheer size and heavy heft of the camera, which is built with an integrated double-battery vertical grip. While the body design is highly functional, it ditches the signature tactile manual dials of the X-series and older GFX lines in favour of front and back command wheels and top info screens, which may alienate lovers of...

The Fujifilm GFX 100 stands out as a unique medium format hybrid camera that successfully handles 4K video recording across its full 44mm sensor width, creating a highly detailed cinematic look with smooth focus roll-off. The reviewer notes several prominent advantages, including the camera's ability to shoot 10-bit H.265 video internally up to 400Mbit, built-in image stabilization (IBIS), and an outstanding, fully articulating removable Electronic Viewfinder (EVF). Additionally, its body design features a light-up top panel and a lower secondary screen to display shooting info, allowing users to completely clear the main LCD frame for distraction-free shooting. The camera also shows surprising versatility with full-frame lenses, with many managing to cover the medium format sensor in 16:9 video mode with minimal vignetting. Despite these strengths, the GFX 100 has notable drawbacks, particularly regarding its underwhelming autofocus system, which hunts frequently and falls short of standard Dual Pixel AF performance. A major recording limitation is that the camera forces a flat F-LOG or milky HLG view-assist image on the LCD during active takes and playback, rather than offering a corrected monitor...

The Fujifilm GFX 100 is a groundbreaking 102-megapixel medium format camera that alters expectations for sensors larger than 35mm full-frame. It delivers extraordinary, industry-redefining resolving power and unmatched image detail, alongside impressive 16-bit RAW image capabilities and uncropped 4K video recording that rivals expensive cinema cameras. A high-speed hybrid phase-detection autofocus system ensures remarkably responsive tracking, and its continuous shooting speed reaches a swift 5 frames per second. Additionally, the built-in 5-axis in-body image stabilisation (IBIS) introduces a protective mechanism for handling such a high-resolution sensor without a tripod. However, the camera comes with notable trade-offs, particularly regarding its immense physical presence and handling. Weighing 1,400 grams for the body alone, it becomes tiring during extended handheld shooting sessions, and the massive lenses required for the medium format sensor amplify this bulk. Testing revealed that the IBIS system is not entirely foolproof, realistically delivering only 2 to 3 stops of stabilisation rather than the advertised 5.5 stops. Furthermore, the exterior interface may divide opinion; the removal of traditional Fujifilm shutter speed and ISO dials in favour of small buttons and...

The Amateur Photographer review of the Fujifilm GFX100 highlights the 102-megapixel medium-format camera for its superlative image quality, astonishing resolution, and exceptional colour accuracy. The device features a highly effective 5-axis in-body image stabilization (IBIS) system, enabling practical handheld shooting, paired with a large, superb electronic viewfinder and a versatile dual-tilt rear screen. Conversely, the review notes significant ergonomic shortcomings, criticizing the, at times, fiddly and frustrating control layout. Additionally, the integrated vertical grip is described as uncomfortable and featuring a disjointed, non-intuitive button configuration compared to the main grip. Amateur Photographer

The Fujifilm GFX 100 redefines medium format photography by pairing a massive 102-Megapixel back-illuminated sensor with the fast, agile handling typically reserved for smaller camera formats. Its headline resolution captures stunning detail in single, handheld shots without compromising on noise levels or dynamic range. Major performance advantages include the integration of a highly effective 5-axis in-body image stabilization (IBIS) system providing up to 5.5 stops of compensation, and a swift frame-wide phase-detect autofocus system equipped with face and eye detection inherited from the X-T3. Furthermore, it stands out as the first medium format camera capable of recording uncropped 4K video using the full width of the sensor, offering 10-bit internal or external recording alongside Fujifilm’s beloved Film Simulations like Eterna. Despite its groundbreaking capabilities, the GFX 100 has several design and hardware drawbacks. Users face an inconsistent handling experience because the integrated portrait grip is noticeably thinner and smoother than the main grip, making the thumb joystick harder to reach. The camera's physical interface relies on unnecessarily small rear buttons and joysticks despite ample surface space, and it omits traditional...

Ken Rockwell’s review of the 102-megapixel Fujifilm GFX 100 highlights it as a top-tier tool for professional image quality, praising its exceptional resolution, low per-pixel cost, and overall outstanding image detail. Despite the high-resolution output, the camera is noted for its high-end performance that allows for significant cropping and display, operating similarly to other Fujifilm systems in terms of menu logic. However, the review sharply criticizes the camera's ergonomics and slow handling, describing it as uncomfortable and a "pain to use" compared to traditional cameras. Specific flaws include the lack of dedicated, physical dials for ISO and exposure compensation, a large, un-sculpted body, and an awkwardly sized 3.2-inch LCD, making it a specialized tool over a general-purpose camera.

The Fujifilm GFX 100 is a groundbreaking mirrorless medium format camera that brings high-speed capability and exceptional 4K video to a massive 44x33mm sensor, effectively acting as a more affordable alternative to elite cinema systems like the ARRI Alexa 65 and RED Monstro 8K VV. Its 100-megapixel sensor delivers majestic, film-like stills with extraordinary dynamic range and extreme cropping capabilities, enabling shooters to extract detailed 6K images from tight center crops. For filmmakers, it records 10-bit DCI 4K video using versatile codecs ranging up to 400Mbit ALL-I, and benefits from a highly effective 5-axis in-body image stabilization (IBIS) system alongside a remarkably sharp, high-resolution detachable electronic viewfinder (EVF). Furthermore, its highly adaptable lens mount opens up a unique "voyage of discovery" by allowing filmmakers to pair the sensor with various full-frame and vintage lenses that surprisingly cover the active 4K imaging area without heavy vignetting.

In his retrospective review, Keith Wee highlights the Fujifilm GFX100 as a highly specialized photography tool that yields an unapologetic, relentless amount of fine detail through massive image files. On the positive side, he praises its incredible image quality and the unique, shallow depth of field made possible by its large-format sensor. Furthermore, following the firmware 4.00 update, the camera's hybrid autofocus system—particularly the eye-detection tracking reliability—is lauded as best-in-class for digital medium format cameras, easily outperforming major rivals like the Hasselblad X1D II. Additionally, the dual-battery capacity afforded by its built-in vertical grip and its helpful information panels are noted as excellent pragmatic handling designs. Conversely, Wee identifies several distinct drawbacks, primarily emphasizing that the massive 1.4 kg camera body is entirely unsuitable for fast-paced action, wildlife photography, or situations requiring discretion. The sheer physical size and weight of the combined camera body and lens kits (frequently reaching up to 2 kg) mean it is best confined to controlled environments like studio shoots, product work, and stationary portraiture. He also points out a minor learning curve regarding the physical...

The Fujifilm GFX 100, as reviewed by Photography Life, is recognized as a groundbreaking, feature-rich medium format camera featuring a 102-megapixel backside-illuminated sensor that produces exceptional image quality and dynamic range. Key strengths include the highly effective 5-axis in-body image stabilization (IBIS) for handheld shooting and an innovative on-sensor phase-detection autofocus system that significantly improves tracking over previous GFX models. However, the review characterizes the camera as an "ergonomic mess" due to a chaotic, non-intuitive button layout and poor handling of the built-in vertical grip. Further, it faces limitations with AF tracking for fast-moving subjects compared to full-frame rivals, experiences noticeable viewfinder blackouts with 16-bit files, and poses significant storage demands during post-processing.

The Photo Review Australia analysis positions the Fujifilm GFX 100 as a groundbreaking, 102-megapixel medium-format camera that brings high-end performance to the professional market. Key strengths include exceptional image resolution, 5-axis in-body image stabilization (IBIS) with 5.5 stops of compensation for handheld shooting, and versatile 4K/30p video capabilities. Conversely, the review notes that the high financial cost of the body and lenses limits its accessibility, while the large, double-grip design makes it notably heavy. Furthermore, the immense file sizes created by the 100-megapixel sensor demand significant storage and processing power, though it remains a top-tier option in its class.

The Fujifilm GFX-100 is a specialist medium format mirrorless camera featuring a massive 102-megapixel BSI CMOS sensor that delivers unmatched image detail, superb dynamic range, and rich tonal gradations. Built as a professional-grade tool with robust weather sealing and dual batteries supporting extensive shooting periods, it benefits heavily from a 5.5-stop In-Body Image Stabilization (IBIS) system,,. The IBIS effectively counters motion blur to make its incredibly high resolution more accessible during handheld use,. Additional strengths include a high-resolution, removable OLED electronic viewfinder, comparatively accessible pricing relative to alternative 100+ megapixel systems, and reliable Eye AF performance tailored for static portrait work,,. However, the camera features notable physical and operational compromises. The body is exceptionally large and heavy, weighing 1400g with the viewfinder attached, and its chunky 102.9mm-deep grip is too wide for smaller hands,,. Ergonomics are further hindered by a vertical grip that replaces the main rubberized texture with a smooth, slippery material,. Performance-wise, the autofocus system is primitive compared to modern full-frame rivals, suffering from sluggish burst rates, notable shutter lag, and poor video focus-pull tracking,,. Combined with a...

The Fujifilm GFX 100 is a heavy, 1.4kg mirrorless medium-format camera featuring a massive 100-megapixel CMOS sensor and an X-Processor 4 that delivers exceptional 16-bit RAW files with unparalleled dynamic range and detail. Tested on an Antarctic expedition, its standout pros include the integration of sensor-shift image stabilisation (IBIS) for steady handheld shooting, strong 4K video capabilities with subject tracking, and a highly functional, luminous top LCD screen displaying live histograms. Additionally, it offers familiar menu navigation for existing Fujifilm users and is competitively priced at approximately $16,499 AUD compared to luxury rivals like Phase One and Hasselblad. However, the camera has notable cons rooted in its bulky, "blocky" design, which feels unwieldy to hold in cold weather and is entirely unsuited for discrete styles like street photography. Its autofocus system, while improved and robust in bright environments, is considerably slower than mainstream Canon or Nikon DSLRs, making it a poor choice for fast-paced sports or action wildlife. Minor build flaws like cheap plastic lens hoods also contrast with its premium price. Ultimately, it is a specialized, tripod-oriented tool best...

In this guest review published on Steve Huff Hi-Fi and Photo, Club Unesco SK evaluates the 100-megapixel medium-format Fujifilm GFX100 during a business trip to the Austrian Alps. Initially skeptical about its bulky design and massive resolution, the reviewer discovers that the camera provides a major leap in image quality compared to the 50-megapixel GFX50s. The core pros highlight its masterclass performance: a noticeable boost in dynamic range, incredibly natural colors with beautiful gradation enhanced by a 16-bit color depth, and remarkably low noise at higher ISO settings. Additionally, the integrated image stabilization functions flawlessly—allowing crisp handheld shots down to 1/7 of a second—while the autofocus and joystick responses feel significantly faster than its predecessor.

In a hands-on review of the Fujifilm GFX 100, The Slanted Lens highlights the medium-format camera's 5.5-stop sensor-shift image stabilization as a significant advantage for handheld shooting and praises the video autofocus for accurately tracking subjects. The Fujifilm GF 110mm f/2 lens is specifically noted for producing exceptional portrait quality, according to the review. Conversely, the review identifies limitations, including disappointing autofocus performance when capturing moving subjects in stills mode and an extremely shallow depth of field at f/2. Additionally, the camera's usable ISO for video is noted to degrade after 1600, limiting low-light capabilities. theslantedlens.com