Venus Optics Laowa 9mm F 2 8 Zero-D Análisis | 54 Datos comparados

Jonas Rask highly praises the Venus Optics Laowa 9mm f/2.8 Zero-D lens (tested in native Fujifilm X-Mount) for its spectacular metal build quality and ultra-compact size, which is physically smaller than the Fujinon 35mm f/2. A major standout feature is its rectilinear optical design, ensuring straight lines remain perfectly straight out to the corners—making it far better suited for architectural and real estate shots than standard curved fisheye alternatives. Performance highlights include exceptional center sharpness, beautiful sun stars at f/22, a tight 12 cm minimum focusing distance for creative close-ups, and a helpful hydrophobic "Frog Eye Coating" that prevents water droplets from ruining shots. However, the lens has notable compromises that users must carefully consider. Its primary optical drawback is heavy vignetting at f/2.8 (roughly half a stop of light loss at the extreme edges) paired with a slight drop in edge sharpness, though stopping down to smaller apertures clears these issues up. On a subjective note, Rask dislikes the prominent blue aesthetic ring used across the Laowa product line. Priced at a reasonable retail point of USD $499, Rask...

The Laowa 9mm f/2.8 Zero-D for Fujifilm X is a highly compact, lightweight third-party lens weighing only 215 grams, constructed with a solid metal body and a metal lens hood. Its standout feature is the "Zero-D" optical design, which integrates 15 elements in 10 groups to effectively eliminate barrel distortion across all focusing distances. In terms of optical performance, the lens delivers impressive central sharpness throughout its aperture range, even outperforming Fujifilm's 10-24mm f/4 zoom in the center when shot wide open. It also features a useful 12 cm minimum focus distance for creative framing, and a hydrophobic "Frog Eye Coating" on the front element to repel water. However, the lens has several distinct drawbacks, most notably significant vignetting that causes 2 to 3 stops of shading in the corners when shot wide open. The corners also suffer from softness and do not fully sharpen up until stopped down to f/8. From a usability standpoint, the lens lacks an electronic chip to record aperture data or lens profiles in camera metadata. Additionally, the aperture ring moves only in full stops...

The ePHOTOzine review of the Laowa 9mm f/2.8 Zero-D highlights an ultra-wide prime for APS-C mirrorless cameras, noting its robust all-metal build, lightweight 215g construction, and exceptional "Zero-D" technology that delivers virtually no distortion. It offers outstanding center sharpness at f/2.8, a 12cm close-focusing distance with pleasing bokeh, and a smooth manual focus/aperture operation. Conversely, the lens shows heavy vignetting and soft edges when wide open, requiring users to stop down to f/5.6 or f/8 for optimal edge-to-edge sharpness. As a fully manual lens, it lacks electronic contacts for EXIF data and does not feature weather sealing. It is described as a unique, high-value choice for wide-angle shooters.

📸 The ⁠Fotovolo Review awards 5 stars to the ⁠Laowa 9mm f/2.8 Zero-D lens. The Core Highlights Small and highly portable barrel size. Heavy, premium construction quality. Exceptional edge-to-edge sharpness. Absolutely zero optical barrel distortion. High contrast and rich saturation. Long focus ring travel scale. Highly affordable $499 guide price. The Hidden Drawbacks Fully manual focus and exposure. Zero digital camera-body connection. Visible image vignetting across apertures. Noticeable edge elongation effects. Presence of minor chromatic aberration.

The Venus Laowa 9mm f/2.8 Zero-D is a compact, metal-constructed, ultra-wide prime lens for APS-C mirrorless systems that offers an expansive field of view and significantly reduces barrel distortion, per PCMag. It is praised for its lightweight design and smooth manual focus, making it a strong competitor to native zooms. However, the lens suffers from heavy corner vignetting, lacks EXIF data communication, and features an aperture ring restricted to full-stop adjustments. Despite the "Zero-D" branding, minor distortion is still present, and the fully manual nature may limit its appeal for certain users.

The Laowa 9mm f/2.8 Zero-D is a premium-quality manual lens designed specifically for APS-C mirrorless cameras, including Canon EOS M, Fujifilm X, and Sony E mounts. It delivers an ultra-wide effective focal length of 13.5mm and a fast f/2.8 maximum aperture, making it an appealing, compact alternative to bulky wide-angle zooms. The lens features excellent build quality with a smooth focus ring, precise distance scales, and a 49mm filter thread. Optically, its "Zero-D" design lives up to its name by keeping horizons and straight lines completely straight right to the edge of the frame, while offering incredible, edge-to-edge sharpness. The main disadvantage of this lens is that it features entirely manual controls. With no mechanical or electronic connections to the camera, users must adjust both focus and exposure manually. However, this is offset by prominent pros: the lens is extremely portable, incredibly sharp, and produces almost zero barrel distortion. While the extreme angle of view can cause converging verticals when tilted up, and direct sunlight causes slight flare, the lens remains highly resistant to flaring overall. Ultimately, it is a...

The Venus Optics Laowa 9mm f2.8 Zero-D is a compact, lightweight manual-focus lens that retails for $499 and is compatible with Fujifilm X, Canon EF-M, Nikon Z, Micro Four Thirds, and Sony E mounts. Built with an all-metal design that balances well on APS-C bodies like the Fujifilm X-T3, it offers an equivalent focal length of 13.5mm. The lens delivers excellent center sharpness at f2.8, with optimum edge-to-edge sharpness achieved between f5.6 and f11, while rendering crisp, three-dimensional images with rich color and contrast. The lens features notable strengths and weaknesses that potential buyers should consider: Pros: Excellent build quality: Features a solid, all-metal barrel design. Highly portable: Weighs only 7.6 oz (215 g) and measures 2.09 x 2.36 inches, making it ideal for travel. Controlled distortion: True to its "Zero-D" name, barrel distortion is exceptionally well-managed for an ultra-wide focal length. Versatile mount options: Readily available for a wide variety of camera brands. Cons: Limited aperture increments: The aperture ring only rotates in full stops, rather than half or third stops. Heavy vignetting: Significant light fall-off is visible in...

The Venus Optics Laowa 9mm f/2.8 Zero-D is a highly compact, manual-focus ultra-wide-angle lens designed for Fujifilm X-mount cameras, priced at $499.00. Weighing 215g with a small 49mm filter diameter, this pint-sized lens features 15 optical elements in 10 groups and an impressive minimum focusing distance of 12cm. In real-world street and travel testing on a Fujifilm X-Pro2, the reviewer found it ideal for zone focusing at f/5.6. The lens delivers excellent, sharp image quality extending all the way into the corners of the frame, alongside pleasant color rendition. When compared to premium options like the Fujifilm XF 8-16mm f/2.8, the Laowa stands out as a significantly more affordable and portable alternative for capturing ultra-wide perspectives. The primary pros of the Laowa 9mm f/2.8 include its excellent optical performance, great build quality, and a highly portable footprint that easily fits into a pocket. However, its main con is the total lack of electronic contacts, meaning no EXIF information is transferred to the camera body, and it lacks autofocus, weather-sealing, or stabilization. While the reviewer notes that more expensive native options...

The Laowa 9mm f/2.8 Dreamer is a compact and lightweight manual-focus DX lens designed for Nikon crop-sensor cameras like the Z50 and Zfc, offering an ultra-wide 14mm equivalent focal length and a 105° horizontal angle of view. Structurally, the lens features a 49mm filter ring, a smooth focus ring with a long 180° throw, and a clickable aperture ring. Its standout performance strength is its "Zero-D" optical design, which limits barrel distortion to under one percent and makes it highly capable for architectural and vlogging purposes. Additionally, it delivers excellent center sharpness from wide open through f/5.6 and exhibits minimal chromatic aberration. However, the lens has notable handling and optical drawbacks. It completely lacks electrical contacts, meaning it cannot communicate with the camera body, and its exact 9mm focal length cannot be programmed into Nikon's non-CPU lens data. Optically, its biggest flaw is severe vignetting, which approaches four stops wide open and remains prominent even when stopped down to f/8. Corner sharpness is also poor at f/2.8, requiring users to stop down to f/8 to achieve strong results. Physically, the...

The LensTip review of the Venus Optics LAOWA 9 mm f/2.8 ZERO-D highlights this ultra-wide-angle lens as an impressive, compact tool tailored for mirrorless APS-C cameras. The major pros of the lens include its outstandingly high resolution in the centre of the frame, which neared historic testing records. Optically, it controls distortion remarkably well for such an extreme field of view, keeping in line with its "ZERO-D" designation. Additionally, its tiny physical dimensions make it highly portable and allow the use of standard, budget-friendly 49 mm screw-in filters, eliminating the need for expensive, oversized filter systems typically required by ultra-wide lenses. Conversely, the primary cons identified by LensTip focus on compromises made due to the lens's small size. Users will experience heavy, noticeable vignetting (light fall-off) across the corners, which persists significantly at the widest apertures. Image resolution and quality drop off markedly at the outer edges of the frame when shooting wide open at f/2.8. Finally, the lens struggles with flare and ghosting, showing overall inferior performance when shooting directly against bright light sources.

The Laowa 9mm f/2.8 Zero-D is a highly capable ultra-wide-angle prime lens native to the Fujifilm X system, distinguished by its unique "Zero-D" designation. Designed by Dayong Li, the lens offers an expansive 113-degree angle of view—which is 3 degrees wider than Fujifilm’s own XF 10-24mm zoom—and features a fast f/2.8 maximum aperture that handles low-light scenarios exceptionally well. Its standout performance benefit is near-perfect correction of barrel distortion, keeping straight architectural and landscape lines perfectly rectilinear across the entire frame. Additionally, it features a remarkably compact, lightweight build of just over 200 grams, making it highly portable and physically similar in size to a standard Fujifilm XF 23mm f/2 lens. However, the lens does compromise on specific user conveniences and optical characteristics to maintain its small size. The primary optical flaw is heavy, significant vignetting in the corners when shot wide open at f/2.8, requiring manual software corrections ( in Lightroom), though the shading evens out significantly by f/11. Additionally, sharpness is a bit soft in the corners wide open, only reaching optimal crispness when stopped down. Operationally, the...

The Laowa 9mm f/2.8 Zero-D is a fully manual, ultra-wide rectilinear prime lens for APS-C cameras that stands out for its remarkably compact design and excellent build quality. Measuring 53mm in diameter, 60mm in length, and weighing just 215g, it is highly portable, constructed entirely of metal, and features a close minimum focusing distance of 12cm. True to its "Zero-D" name, the lens delivers on its core promise by producing virtually zero geometric distortion, keeping straight lines perfectly straight across the frame without needing digital corrections. Furthermore, chromatic aberration is exceptionally well-managed, making it difficult to spot even in high-contrast shooting scenarios. However, the lens comes with several optical and physical trade-offs that users must consider. When shooting wide open at f/2.8, there is a noticeable drop in corner sharpness and heavy vignetting reaching almost 1 EV, both of which require the lens to be stopped down for optimal image quality. It also performs poorly in direct backlight, generating strong reflections, flare, and artifacts when pointing directly at the sun. Finally, because it is an entirely manual lens with no...

The Venus Optics Laowa 9mm f/2.8 is an ultra-wide, rectilinear manual focus lens available for Fujifilm mount cameras, offering a full-frame equivalent focal length of 13.5mm. The reviewer notes several key advantages, including an outstanding all-metal body and lens hood construction that rivals Fujifilm’s own quality. It features a stiff, high-quality aperture ring and delivers incredibly low geometric distortion for such a wide focal length, preventing the aggressive stretching typical of fisheye lenses. Additionally, because it has an extensive depth of field, manual focusing is highly forgiving; when stopped down to f/5.6 or f/8, almost everything from 0.5 meters to infinity remains sharply in focus, making it a highly accessible and flexible tool for creative angles beyond traditional landscape photography. On the downside, the lens suffers from quite heavy vignetting and soft corners when shot wide open at f/2.8, requiring significant post-processing lens correction. The reviewer also warns that using the included lens filters exacerbates this vignetting issue and notes that the filters are not stackable. From a usability standpoint, the aperture ring direction is reversed compared to standard native...

The Shutterbug review of the Venus Optics Laowa 9mm f/2.8 Zero-D lens highlights the $499 ultra-wide prime as a compact, lightweight option ideal for Fujifilm X-mount, featuring a fast f/2.8 aperture and 113° field of view. The lens offers excellent build quality, a smooth manual focus ring, and a close 4.7-inch minimum focusing distance, with the reviewer noting that its immense depth of field simplifies hyperfocal shooting. Conversely, the review identifies significant weaknesses, specifically mentioning heavy light falloff and a lack of, or "soft," sharpness, which often require, for instance, Photoshop’s Unsharp Mask or High Pass filters for correction. While praised for its, in a word, "fun" and, for example, "creative" capabilities in landscape photography, the inaccurate distance markings on the lens barrel are also noted as a drawback, according to the reviewer.

The Laowa 9mm f/2.8 Zero-D is an exceptionally compact and lightweight, manually focused prime lens built specifically for mirrorless APS-C sensors, such as the Fujifilm X-mount camera used in this review. A standout benefit of this lens is its "Zero-D" technology, which utilizes three extra-low dispersion (ED) elements and two glass aspherical elements to virtually eliminate barrel distortion. This feature makes it highly effective for landscape and architectural photography where keeping lines straight is crucial. Additionally, the lens features a solid metal barrel and detachable metal lens hood, remains extremely sharp even when shot wide open at f/2.8, and boasts a remarkably short minimum focusing distance of just 12cm. This close-focus ability, combined with the fast aperture, enables unique perspective shots with a shallow depth of field. Despite these clear advantages, the lens does have a few drawbacks that potential buyers should consider. It lacks autofocus, image stabilisation, and electronic communication with the camera body, meaning metadata is not shared and focus must be managed entirely manually. While the reviewer noted that modern mirrorless focus peaking mitigates this, it still...