Canon EF 35mm F1 4 II USM Análisis | 54 Datos comparados

The Canon EF 35mm f/1.4L II USM lens is hailed as a top-tier performer in its focal class, primarily due to the integration of Blue Spectrum Refractive (BR) Optics that significantly reduce chromatic aberration. It provides exceptional sharpness, even at its maximum f/1.4 aperture, paired with a fast, accurate ring USM autofocus system, durable weather-sealed construction, and smooth, high-quality bokeh. Conversely, the lens is notably heavy, expensive, and lacks built-in image stabilization. While performance is stellar, the review notes significant peripheral vignetting when wide open and lower resistance to flare under direct, harsh lighting. Despite these drawbacks, the lens is considered an ideal choice for professionals requiring superior low-light performance, as detailed in the review at The-Digital-Picture.com.

The Canon EF 35mm f/1.4L II USM is a highly upgraded second-generation lens that introduces "Blue Spectrum Refractive" (BR) optics to significantly lower chromatic aberration and blue fringing. On the positive side, it delivers outstanding optical quality wide-open at f/1.4, boasting a flat field, minimal astigmatism, low distortion, and exceptional sharpness that extends all the way into the outer edges and corners. The lens also features a durable, weatherproof construction, fluorine coatings, and a fast sonic-type autofocus motor with full-time manual override. However, the lens does suffer from a few optical and practical drawbacks. Its transmission at T1.7 is 0.5 EV lower than its stated f/1.4 aperture value, and it exhibits relatively high vignetting that remains unchanged from the 1998 original model. Additionally, while its peak sharpness levels are strong, they are slightly lower than expected for high-resolution sensors like that of the Canon EOS 5D Mark III. Finally, with a premium launch price of around $1,799, it is a very expensive investment compared to more accessible and highly competitive rivals like the Sigma 35mm f/1.4 DG HSM Art.

The Canon EF 35mm f/1.4L II USM is described as a new benchmark for standard primes, featuring innovative Blue Spectrum Refractive (BR) Optics that effectively eliminate chromatic aberration. Dustin Abbott highlights the lens's exceptional wide-open sharpness, smooth bokeh, and fast, quiet autofocus, which outperformed competitors like the Sigma 35mm Art. While praised for its robust weather-sealed construction, the lens has notable drawbacks, including significant vignetting at f/1.4 and mediocre flare resistance in direct, intense sunlight. Additionally, the lens is heavier, larger, and more expensive than its predecessor and rivals.

The Canon EF 35mm f/1.4L II USM is a robust, weather-sealed, and heavy (760g) lens featuring excellent build quality, internal focusing, and fast, reliable ring-type USM autofocus suitable for reportage. It produces high contrast with outstanding center sharpness that peaks at f/4, though it is limited by soft edge performance at wide apertures and poor flare control, per the ePHOTOzine review.

The DPReview article highlights the Canon EF 35mm F1.4L II USM as an essential tool for photojournalists, featuring exceptional wide-open sharpness and superior chromatic aberration control via Blue Spectrum Refractive (BR) optics. It offers robust weather sealing, fast autofocus, and excellent contrast, making it highly reliable for demanding field conditions. However, the lens is heavier and larger than its predecessor, which can cause fatigue during extended use. Additionally, the lack of optical image stabilization and a high $1,799 price point are notable drawbacks, although its performance justifies the investment for professionals.

The Canon EF 35mm F1.4L II USM represents a major technological leap, featuring Blue Spectrum Refractive (BR) Optics that virtually eliminate chromatic aberration and deliver exceptional edge-to-edge sharpness at f/1.4. Pros include fast, accurate autofocus, robust weather-sealing, and improved, smooth bokeh from a 9-blade aperture. Conversely, the Mark II is significantly heavier and longer than its predecessor, presenting a 31% increase in weight, which affects its portability for street photography. Furthermore, the lens lacks optical image stabilization and launched with a high price tag, making it a premium choice specifically for professional, high-performance needs.

The Canon EF 35mm f/1.4L II USM is praised for offering best-in-class, edge-to-edge sharpness even at maximum aperture, utilizing Blue Spectrum Refractive (BR) Optics to eliminate color fringing. The lens features a robust, weather-sealed build, fast autofocus, and excellent bokeh. However, notable drawbacks include its large, heavy design compared to competitors, a lack of image stabilization, and a very high price point.

The Canon EF 35mm f/1.4L II USM is a premium, professional-grade wide-angle prime lens highly favored by reportage, documentary, and street photographers for its natural perspective. The lens delivers uniform, excellent optical quality with pin-sharp images and great contrast, even when shooting wide open at its maximum f/1.4 aperture. It is built with top-grade, weather-sealed construction and is notably the first lens to incorporate Canon's advanced Blue spectrum Refractive (BR) optics to optimize performance. Additionally, its ring-type ultrasonic autofocus system functions exceptionally well, proving itself to be lightning-fast, super-accurate, and whisper-quiet during operation. Despite its superb performance, the lens has notable drawbacks, primarily regarding its intimidating physical bulk and high price tag. Weighing 760g and measuring 80x106mm, it lacks the stealth required for casual street photography, and its large 72mm filter thread can inflate the cost of adding landscape filters. The major pros highlighted in the review include its pin-sharp image output, excellent contrast, and fast autofocus system. Conversely, the cons focus entirely on it being heavy, bulky, and highly expensive. For budget-conscious photographers looking for a lighter alternative, the...

The Canon EF 35mm F1.4L II is a standout lens that remains a personal favorite in the reviewer's kit after more than four years of intensive, long-term use. At the time of its release, it was labeled as the finest non-super-telephoto lens in Canon’s entire lineup and was famously described as a "Zeiss Otus lens with autofocus" due to its incredible optical quality. The lens has proven to be highly versatile, paying for itself multiple times over through various genres including product, food, wedding, event, and portrait photography. Its exceptional performance even led the reviewer to entirely replace and sell their 24-70mm F2.8 zoom lens. A major pro of this lens is its exceptional long-term durability; despite years of heavy professional use, it still looks and operates completely like new. It delivers remarkable resolution, fast autofocus, and beautiful bokeh across a wide variety of camera bodies. This flexibility extends from budget DSLRs like the Rebel SL1 to high-end mirrorless systems like the Canon EOS R via adaptation. While the article focuses heavily on its strengths, the inherent cons of this...

The Canon EF 35mm f/1.4L II is a premier prime lens highly praised by the reviewer for its exceptional performance in wedding and candid photography. Its standout strengths include a wide f/1.4 aperture that excels in low-light conditions, minimizing the need for artificial flash and maintaining the natural ambiance of a scene. The lens delivers remarkable sharpness across the entire frame, even when shot wide open, which allows for group portraits with clean edge-to-edge clarity and a pleasing, three-dimensional background blur. Furthermore, its autofocus mechanism is incredibly fast, precise, and highly capable of tracking moving subjects like wedding processionals or functioning efficiently in dark reception venues. In terms of physical build, the lens is exceptionally durable, featuring a metal barrel, an internal focusing design that keeps out dust, and a felt-lined lens hood to prevent stray light flares. Despite its high praise, the review highlights a few notable drawbacks and limitations. Due to its 35mm focal length, the lens is not recommended for tight headshots, as it is better suited for wider environmental context rather than strict close-up portraiture. Additionally,...

The Canon EF 35mm f/1.4L II USM remains one of the absolute best photography-centric lenses ever produced, continuing to hold its value well on the secondary market at around $1,000 to $1,300. The reviewer notes that despite being nearly a decade old, it easily outperforms the Sigma 35mm f/1.4 Art lens—which tends to blow out highlights—and even holds its own against modern mirrorless glass. When paired with an EF to RF adapter on a camera like the Canon R5, it functions seamlessly. It supports full electronic metadata transfer, focus peaking, and Canon’s manual focus assist. It serves as a highly capable tool for slower, deliberate genres like automotive, product, portrait, and landscape photography. The lens boasts an impressive list of pros, highlighted by its outstanding, bold color rendering, excellent sharpness, and beautiful focus falloff. It features advanced Blue Spectrum Refractive Optics to minimize chromatic aberration, an automated ring-type Ultrasonic Motor (USM) for fast autofocus, and specialized anti-flare coatings. Furthermore, it delivers a highly pleasing, creamy background blur with round bokeh balls, and its near-macro capabilities are excellent for close-up detail...

The LensTip.com evaluation labels the Canon EF 35 mm f/1.4L II USM as an outstanding, class-leading lens packed with advanced technologies like BR optics (Blue Spectrum Refractive) and SubWavelength structure Coating (SWC). The review highlights its high-utility performance, noting pros such as very high-quality construction, silent and accurate autofocus, and lack of problems with spherical aberration or astigmatism. Most notably, it delivers sensational image resolution in the frame center, excellent sharpness on APS-C sensor edges, and very good quality on full-frame borders while keeping chromatic aberration and coma levels remarkably low. Despite its stellar optical engineering, the lens has a few defined drawbacks. The reviewer points out cons that include significant vignetting at f/1.4 (reaching a 64% brightness loss on full frame) and performance against bright light that could have been better optimized. Additionally, compared to its 1998 predecessor, the lens is physically larger and heavier. Overall, the LensTip full summary concludes that Canon successfully engineered one of the sharpest lenses ever tested, easily competing against rival options from Sigma and Nikon.

The Canon 35mm f/1.4 L is a highly versatile, ultra-fast wide-angle prime lens praised as a definitive option for weddings, travel, landscapes, and everyday photography. Built with professional L-series durability, it features a superb chassis, a large and precise focus ring for full-time manual override, and proprietary Subwavelength Coating (SWC) that excellently suppresses ghosting and lens flare,. Optically, the lens delivers stellar out-of-the-box contrast, good edge-to-edge sharpness when shot wide open at f/1.4 (which becomes flawless at f/4), and a smooth transition from sharp subjects to a dreamy, out-of-focus bokeh effect,. Despite its excellent performance, the lens exhibits a few notable technical shortcomings. Its primary weak spot is significant chromatic aberration, which causes visible blue and purple fringing along high-contrast edges like tree branches against a bright sky. Furthermore, it lacks weather sealing and is physically large and indiscreet, making it less than ideal for wet conditions or subtle street photography. The review also notes that while a newer Mark II version offers incrementally sharper resolution for a premium price, the original version remains an exceptional, "magic glass" value that...

The writer highly praises the Canon EF 35mm f/1.4L II USM as a reliable, high-performance tool for professional photographers and videographers, noting its ability to tell intimate stories within a frame 0.1.1. Structurally, the lens offers exceptional build quality and full weather sealing, making it a robust option for those earning a living with a camera 0.1.1. Performance-wise, it stands out for its unique, beautiful color rendition, highly fast, quiet, and accurate internal autofocus, and tack-sharp clarity even when shot wide open at f/1.4 0.1.1. Additionally, modern lens coatings effectively minimize optical flaws like flaring and chromatic aberration 0.1.1. On the downside, the lens commands a premium, expensive price tag, costing literally double the amount of third-party alternatives like the Sigma 35mm f/1.4 Art 0.1.1. Its physical profile is also quite large and bulky, ensuring you won't go unnoticed and making it less ideal for discrete street photography compared to smaller pancake lenses 0.1.1. Finally, the author points out that the modern design produces a clinical rendering where out-of-focus areas or bokeh can feel somewhat stale and lack a distinct...

The Canon EF 35mm f/1.4 USM L II delivers breathtaking sharpness and high contrast in the image center right from f/1.4, even outperforming a 50-megapixel sensor when stopped down to f/2 or f/2.8. Its barrel distortion is exceptionally low at a negligible 0.4%, and lateral chromatic aberrations are remarkably well-controlled at under 0.5 pixels wide at the borders. Thanks to its specialized Blue Spectrum Refractive (BR) lens element, bokeh fringing and longitudinal chromatic aberrations are significantly reduced compared to traditional fast lenses. The lens also features very low field curvature, a buttery foreground blur, and smooth out-of-focus highlights that quickly lose their slight outlining effect by f/2. However, the outer image regions suffer from noticeable softness at wide-open apertures of f/1.4 and f/2, requiring the lens to be stopped down to f/2.8 to reach good sharpness levels. Vignetting is another prominent downside, exhibiting a hefty 3EV of light fall-off in the corners when shot wide open, which does not completely resolve until f/4. Additionally, the background bokeh can feel somewhat harsh at contrast transitions, and out-of-focus highlights toward the frame...

The Canon EF 35mm f/1.4L II USM is a premium, professional-grade prime lens that delivers outstanding optical performance and a significant sharpness upgrade over its 17-year-old predecessor. It stands out as the first Canon lens to feature Blue Spectrum Refractive (BR) Optics, an organic material designed to minimize chromatic aberration and boost image clarity. Built for demanding environments, the lens features a rugged, weather-sealed metal barrel, a 9-bladed circular aperture for smooth bokeh, and a specialized Sub-Wavelength Structure Coating (SWC) to eliminate flare and ghosting. It also offers a highly versatile 11-inch minimum focusing distance for dramatic, close-up wide-angle photography. The lens's primary strengths include its exceptional center sharpness when shooting wide-open at f/1.4, virtually nonexistent distortion, and incredibly well-controlled chromatic aberration across both full-frame and APS-C formats. However, it does have a few drawbacks, most notably its heavy vignetting (light falloff) in the corners when shot wide-open on a full-frame camera, which hits just over 1.25EVs. Additionally, while its ring-type Ultrasonic Motor is nimble for minor focus corrections, it is oddly slow when racking focus all the way from...

The Canon EF 35mm f/1.4L II USM establishes a new benchmark for standard prime lenses, delivering elite resolution, contrast, and a smooth bokeh transition that rivals high-end Zeiss Otus optics. A standout feature is Canon's debut of "Blue Spectrum Refractive Optics" (BR Optics), an organic material element that successfully eliminates axial chromatic aberrations and purple fringing, maximizing wide-open sharpness. Built for demanding professional environments, the lens features a highly engineered interior barrel with tight tolerances, full weather sealing, and fluorine coatings on the front and rear elements to repel dust and moisture. Crucially, its Ring USM autofocus system leaves third-party competitors like the Sigma 35mm ART "in the dust," achieving a 92% to 98% focus hit rate during moving event tests due to its instantaneous lock, lack of hunting, and excellent tracking in AF Servo mode. Despite its optical excellence, the lens carries a few notable drawbacks, primarily its painful launch price of $1,799, which is double the cost of its closest Sigma competitor. Additionally, it has grown larger and heavier than its predecessor—gaining 20mm in length and 180g in...